The circle chair is a traditional Han furniture originated from the Song Dynasty. By the Ming Dynasty, its technology has been in full swing, and it is the most classic production in Ming Dynasty furniture. The most obvious feature is that the back of the ring is attached to the armrest, from high to low, and down, the arm can lean against the arm of the circle, and the back plate is made into an "S" curve. The curves of the human spine are made to make people feel comfortable when they sit on the circle chair. Its shape is below the upper circle, the inner circle of the outer circle, the darkness and the saying of the traditional Chinese culture--the dry is the heaven and the Kun is the ground.
The basic style of the ring chair was fixed in the middle and late Ming Dynasty. When it was developed to the furniture of the Qing Dynasty, there was no fundamental change in the basic style, but there were obvious improvements and changes in the size and production details. Therefore, three basic distinctions have been made: the Ming-style circle chair, the Qing-style circle chair, and the Qing-style palace circle chair.
Compared with the Ming-style circle chair, the characteristics of the Qing-style circle chair are firstly expressed in the thickness of the material. The overall size of the furniture is also wider than the Ming style, and the corresponding partial size also changes.
Ming style circle chair
For example, the widest distance between the two sides of the arm, the circle chair of the Qing Dynasty is about ten centimeters wider than the ring chair of the Ming Dynasty, and the circle is changed from three more circles to five more circles. The lower part of the circle chair was slightly enlarged in the Qing Dynasty, especially in the longitudinal part, so that the chair was deeper, so that the person sitting on the top of the seat can be more back. The Qing-style palace circle chair is larger in size than the Qing Dynasty ring chair, especially the difference between the horizontal and vertical sides of the lower half of the ring chair is only 10 cm. Such a change will make the ring chair more pretentious and stylish, and thus won the favor of the court aristocracy, but also a symbol of identity.
Extended reading: the charm classic beyond the times--Ming-style circle chair
Qing style circle chair
Say the changes in the overall size, then look at the changes in the local size.
For example, in the Ming Dynasty, the abdomen was awkward and anxious and like a small disc. In the Qing Dynasty, the head was reduced, only a little wider than the armrests on both sides, and the turn was smooth and smooth. In the Qing Dynasty palace circle chair, the head was additionally widened and widened, and various patterns were opened, and the mud board was added under the four feet, so that the length, width and height of the whole chair were increased, thus showing The general round chairs are different in luxury.
Qing style palace circle chair
The Qing style circle chair, especially the Qing style palace ring chair, is more ornately decorated. Its expression techniques are mainly inlaid, engraving and painting, giving the impression that it is stable, exquisite, luxurious, gorgeous, and plain, generous and beautiful. Comfortable, a very sharp contrast.
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